version 1.89, 2007/09/07 22:02:39 |
version 1.90, 2007/10/06 17:42:20 |
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<a href="#42">4.2: "100001 1010101"<br> |
<a href="#41">4.1: "Puffy Baba and the 40 Vendors"<br> |
<a href="#41">4.1: "Puffy Baba and the 40 Vendors"<br> |
<a href="#40">4.0: "Humppa Negala"</a> and |
<a href="#40">4.0: "Humppa Negala"</a> and |
<a href="#audio_extra">"OpenVOX" (extra track)</a><br> |
<a href="#audio_extra">"OpenVOX" (extra track)</a><br> |
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<a name=42></a> |
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<h2><font color="#00b000"><a href="42.html"> |
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4.2: "100001 1010101"</a></font></h2> |
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<a href="orders.html">[Order OpenBSD 4.2 or other items]</a><br> |
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OpenBSD 4.2 CD2 track 2 is an<br> |
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uncompressed copy of this song.<br> |
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<br> |
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4:40 minutes |
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<a href="ftp://ftp.openbsd.org/pub/OpenBSD/songs/song42.mp3">(MP3 4.0MB)</a> |
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<a href="ftp://ftp.openbsd.org/pub/OpenBSD/songs/song42.ogg">(OGG 6.4MB)</a><br> |
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<br> |
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<a href="images/Marathon.jpg"> |
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<img width=227 height=343 alt="Marathon" src="images/Marathon.jpg"></a> |
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<br> |
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<br> |
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<em> |
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Those of us who work on OpenBSD are often asked why we do what we do. |
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This song's lyrics expresses the core motivations and goals which have |
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remained unchanged over the years - secure, free, reliable software, |
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that can be shared with anyone. Many other projects purport to share |
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these same goals, and love to wrap themselves in a banner of "Open |
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Source" and "Free Software". Given how many projects there are one |
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would think it might be easy to stick to those goals, but it doesn't |
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seem to work out that way. A variety of desires drag many projects |
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away from the ideals very quickly. |
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<p> |
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Much of any operating system's useability depends on device support, |
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and there are some very tempting alternative ways to support devices, |
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available to those who will surrender their moral code. A project |
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could compromise by entering into NDA agreements with vendors, or |
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including binary objects in the operating system for which no source |
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code exists, or tying their users down with contract terms hidden |
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inside copyright notices. All of these choices surrender some subset |
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of the ideals, and we simply will not do this. Sure, we care about |
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getting devices working, but not at the expense of our original goals. |
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Of course since "free to share with anyone" is part of our goals, |
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we've been at the forefront of many licensing and NDA issues, |
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resulting in a good number of successes. This success had let to much |
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recognition for the advancement of Free Software causes, but has also |
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led to other issues. |
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<p> |
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We fully admit that some BSD licensed software has been taken and used |
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by many commercial entities, but contributions come back more often |
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than people seem to know, and when they do, they're always still |
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properly attributed to the original authors, and given back in the |
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same spirit that they were given in the first place. |
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That's the best we can expect from companies. After all, we make our |
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stuff so free so that everyone can benefit -- it remains a core goal; |
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we really have not strayed at all in 10 years. But we can expect more |
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from projects who talk about sharing -- such as the various Linux |
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projects. |
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<p> |
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Now rather than seeing us as friends who can cooperatively improve all |
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codebases, we are seen as foes who oppose the GPL. The participants |
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of "the race" are being manipulated by the FSF and their legal arm, the |
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SFLC, for the FSF's aims, rather than the goal of getting good source |
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into Linux (and all other code bases). We don't want this to come off |
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as some conspiracy theory, but we simply urge those developers caution |
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-- they should ensure that the path they are being shown by those who |
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have positioned themselves as leaders is still true. Run for yourself, |
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not for their agenda. |
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<p> |
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The Race is there to be run, for ourselves, not for others. We do |
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what we do to run our own race, and finish it the best we can. We |
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don't rush off at every distraction, or worry how this will affect our |
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image. We are here to have fun doing right. |
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<p> |
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</em> |
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<br> |
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<br> |
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The starting line is nervous<br> |
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we burst upon the course<br> |
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Electric is our passion<br> |
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An open hearted force<br> |
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<br> |
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The water's full of dangers<br> |
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That interrupt the flow<br> |
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And soon the spirit splinters<br> |
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as temptation takes it's toll<br> |
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<br> |
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*Give and get back some<br> |
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Sharing it all<br> |
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Path we know best<br> |
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we're having a ball<br> |
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Opulent mission<br> |
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Lost in our passion<br> |
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You can still choose<br> |
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If you don't swim to win<br> |
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you'll never lose*<br> |
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<br> |
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One Zero Zero Zero Zero One<br> |
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<br> |
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The window is a wall by now<br> |
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A sieve of sickened holes<br> |
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The water chicken stealing maps<br> |
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Mistaking us for foes<br> |
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<br> |
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The sun a son of Icarus<br> |
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Flies too close to itself<br> |
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Forbidden fruit is blinded<br> |
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by the toys upon the shelf<br> |
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<br> |
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*CHORUS*<br> |
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<br> |
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One Zero One Zero One Zero One<br> |
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<br> |
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Slow and steady wins they say<br> |
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but this is not a race<br> |
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It's not about who takes a prize<br> |
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for first or second place<br> |
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<br> |
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Imaginary rings of brass<br> |
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Were traded for real goals<br> |
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The vision and the mission lost<br> |
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For those with corporate souls<br> |
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<br> |
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*Give and get back some<br> |
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Sharing it all<br> |
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Path we know best<br> |
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we're having a ball<br> |
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Give and get zeros<br> |
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Give and get ones<br> |
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Given to you but<br> |
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Not you to us<br> |
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Opulent mission<br> |
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Lost in our passion<br> |
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You can still choose<br> |
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If you don't swim to win<br> |
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you'll never lose<br> |
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You'll never lose*<br> |
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<br> |
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<br> |
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<img width=396 height=1876 src="images/42song.gif"><br> |
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<p> |
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<em> |
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Music written and arranged by Jonathan Lewis. Recorded, mixed and |
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mastered by Jonathan Lewis of Moxam Studios (1-403-233-0350). |
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Vocals by Duncan McDonnald (www.thegreatgavalan.com). Drums by |
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John McNeil. Guitar by Jeff Drummond. Bass and keyboards by |
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Jonathan Lewis. Lyrics by Ty Semaka and Theo de Raadt. |
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<br> |
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<br> |
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</em> |
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<hr> |
<a name=41></a> |
<a name=41></a> |
<h2><font color="#00b000"><a href="41.html"> |
<h2><font color="#00b000"><a href="41.html"> |
4.1: "Puffy Baba and the 40 Vendors"</a></font></h2> |
4.1: "Puffy Baba and the 40 Vendors"</a></font></h2> |
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<p> |
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<em> |
<em> |
CD 2 track 2 is an audio track entitled "Puffy Baba and the 40 Vendors". |
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Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios |
Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios |
(1-403-233-0350). Voice by Richard Sixto. Lyrics by Ty Semaka. |
(1-403-233-0350). Voice by Richard Sixto. Lyrics by Ty Semaka. |
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<em> |
<em> |
CD 2 track 2 is an audio track entitled "Humppa Negala!", based on the |
Based on the traditional Jewish song "Hava Nagilah" composed by Anonymous. |
traditional Jewish song "Hava Nagilah" composed by Anonymous. |
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Section of "Enter The Gladiators" (circus theme) composed by Julius Fucik. |
Section of "Enter The Gladiators" (circus theme) composed by Julius Fucik. |
Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios |
Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios |
(1-403-233-0350). Accordion, Tuba and drums by Jonathan Lewis. Vocals by |
(1-403-233-0350). Accordion, Tuba and drums by Jonathan Lewis. Vocals by |
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<p> |
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<em> |
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CD 2 track 2 is an audio track entitled "Blob!". |
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Music composed by Ty Semaka and Jonathan Lewis. |
Music composed by Ty Semaka and Jonathan Lewis. |
Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios (1-403-233-0350). |
Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios (1-403-233-0350). |
Vocals and Lyrics by <a href="http://www.tysemaka.com">Ty Semaka</a> & |
Vocals and Lyrics by <a href="http://www.tysemaka.com">Ty Semaka</a> & |
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<p> |
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<em> |
<em> |
CD 2 track 2 is an audio track entitled "Hackers of the Lost RAID". |
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Music composed by Ty Semaka and Jonathan Lewis. |
Music composed by Ty Semaka and Jonathan Lewis. |
The Moxam Orchestra programmed and played by Jonathan Lewis. |
The Moxam Orchestra programmed and played by Jonathan Lewis. |
Vocals and Lyrics by Ty Semaka. Drums by Charlie Bullough. |
Vocals and Lyrics by Ty Semaka. Drums by Charlie Bullough. |