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version 1.158, 2015/08/25 06:09:18 version 1.159, 2015/09/01 15:57:06
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 <a href="#58a">5.8: <a href="#58b">"Fanza"</a>,  <a href="#58a">5.8: <a href="#58b">"Fanza"</a>,
     <a href="#58c">"So much better"</a><br>      <a href="#58c">"So much better"</a>, and
       <a href="#58d">"A Year in the Life"</a><br>
 <a href="#57">5.7: "Source Fish"</a><br>  <a href="#57">5.7: "Source Fish"</a><br>
 <a href="#56">5.6: "Ride of the Valkyries"</a><br>  <a href="#56">5.6: "Ride of the Valkyries"</a><br>
 <a href="#55">5.5: "Wrap in Time"</a><br>  <a href="#55">5.5: "Wrap in Time"</a><br>
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 Female vocals by Ulrike Jung.  Female vocals by Ulrike Jung.
 Edited, composed, and arranged on OpenBSD using Audacity, CMU Flite, and Schism Tracker.  Edited, composed, and arranged on OpenBSD using Audacity, CMU Flite, and Schism Tracker.
 Mastering by Lars Neugebauer of adlerhorstaudio and Joerg Jung.  Mastering by Lars Neugebauer of adlerhorstaudio and Joerg Jung.
   </em>
   <br>
   
   <hr>
   <a name=58d></a>
   <h2><font color="#00b000"><a href="58.html">
   5.8: "A Year in the Life"</a></font></h2>
   <table border=0 cellspacing=0 cellpadding=2 width="100%">
   <tr>
   <td valign="top">
   <a href="58.html">OpenBSD 5.8</a> CD2 track 5 is an<br>
   uncompressed copy of this song.<br>
   <br>
   4:52 <a href="http://www.openbsd.org/songs/song58d.mp3">(MP3 8.9MB)</a>
   <a href="http://www.openbsd.org/songs/song58d.ogg">(OGG 6.7MB)</a><br>
   <br>
   <a href="images/yearinthelife_left.jpg">
   <img width=227 height=343 src="images/yearinthelife_left.jpg"></a>
   <br>
   </td><td valign=top>
   I read the news today oh boy<br>
   About a silly man who made a change<br>
   And though the hole was rather bad<br>
   Well I just had to laugh<br>
   I saw the code he wrote.<br>
   <br>
   BIO_snprintf with a cast..<br>
   He didn't know the POSIX API had changed<br>
   A crowd on slashdot stood and stared.<br>
   They'd seen such code before<br>
   Everyone was really sure<br>
   It was from 1984..<br>
   <br>
   I saw a tweet today oh boy.<br>
   The OpenBSD devs had just forked the code.<br>
   And though the code was rather gross<br>
   They held their nose and dove.<br>
   Having read the code..<br>
   I'd love to Ceeeeee Veeeeee Eeeeeee.<br>
   <br>
   Built up.. a sense of dread..<br>
   IMPLEMENT_ASN1 macros in my head.<br>
   Found a way down through 10 levels of hell<br>
   And looking there, I noticed more to fix.<br>
   #unifdef, and rewrite that<br>
   cut this out, and hear it splat.<br>
   Found my way upstairs and read hackernews<br>
   whining about comic sans and CVS.<br>
   <br>
   Whiiiiiiinne whine whine....<br>
   Whiiiine whinee.... Whine Whineee....<br>
   whine.. They... Use Cee.. Vee Esss...<br>
   <br>
   I read the news today oh boy<br>
   Four thousand holes in OpenSSL<br>
   And though the holes were rather small<br>
   They embargoed them all<br>
   The priviledged get to patch them<br>
   while the rest get no info, at all...<br>
   I'd love to Ceeeeee Veeeeee Eeeeeee.<br>
   </td><td valign=top align=right>
   <img width=395 height=760 src="images/yearinthelife_right.jpg"><br>
   </td></tr></table>
   <p>
   <em>
   We've done stuff about LibreSSL before, but this particular song just
   fit with the release theme. While the lyrics can speak for themselves,
   "A Year In The Life" is representative of more than just LibreSSL. The
   pattern of LibreSSL development is a pattern that has repeated itself
   many times in OpenBSD -- a decision is made by a few people to do
   something, followed by action, and letting the world share it if they
   like it (such as with OpenSSH). To the developers actually doing the
   work, reactions to such efforts can often seem surreal, or
   irrelevant. The juxtaposition of working on the very real with the
   surreal going on around you can often make working on such projects
   feel like you're in a bit of an altered reality..  Sort of like the
   song. A number of us have had many years like this in the last 20.
   <br>
   <br>
   Lyrics by Bob Beck.  Composition, arrangement, recording by
   Jonathan Lewis.  Vocals and instruments by Jonathan Lewis.
 </em>  </em>
 <br>  <br>
   

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