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                      4: <title>OpenBSD Copyright Policy</title>
                      5: <link rev=made href=mailto:www@openbsd.org>
                      6: <meta name="resource-type" content="document">
                      7: <meta name="description" content="the OpenBSD copyright policy page">
                      8: <meta name="keywords" content="openbsd,copyright">
                      9: <meta name="distribution" content="global">
                     10: <meta name="copyright" content="This document copyright 1996 by OpenBSD.">
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                     16:
                     17: <h1>OpenBSD Copyright Policy</h1>
                     18: <p>
                     19: Copyright law is complex, OpenBSD policy is simple - OpenBSD strives to
                     20: maintain the spirit of the original Berkeley Unix copyrights.
                     21: </p>
                     22: <p>
                     23: The Berkeley copyright poses no restrictions on private or commercial
                     24: use of the software and imposes only simple and uniform requirements
                     25: for maintaining copyright notices in redistributed versions and
                     26: crediting the originator of the material <strong>only</strong> in
                     27: advertising.
                     28: </p>
                     29: <p>
                     30: While this means that OpenBSD is has the same broad applicability as
                     31: the material it was derived from, it also follows that OpenBSD can not
                     32: include some material which includes more restrictive copyrights, or
                     33: must limit it's scope - for example GPL style copyrights are not
                     34: acceptable for inclusion in the kernel or what would constitute a
                     35: "binary release" of OpenBSD.
                     36: </p>
                     37: <h3>Copyright Law</h3>
                     38: While the overall subject of copyright law is far beyond the scope of
1.2     ! grr        39: this document, some basics are in order.  Under the current copyright law,
1.1       grr        40: copyrights are implicit in the creation of a new work and reside with
                     41: the creator, unless otherwise assigned.  In general the copyright applies
                     42: only to the new work, not the material the work was derived from, nor
                     43: those portions of the derivative material included in the new work.
                     44: </p>
                     45: <p>
                     46: Copyright law admits to three general categories of works:
                     47: <dl>
                     48: </dt>Original Work
                     49: <dd>A new work that is not derived from an existing work.
                     50: <dt>Derivative Work
                     51: <dd>Work that is derived from, includes or amends existing works.
                     52: <dt>Compilations
                     53: <dd>A work that is a compilation of existing new and derivative works.
                     54: </dl>
                     55: The fundamental concept is that there is primacy of the copyright, that
                     56: is a copyright of a derivative work does not affect the rights held be
                     57: the owner of the copyright of the original work, rather only the part
                     58: added.  Likewise the copyright of a compilation does not affect the rights
                     59: of the owner of the included works, only the compilation as an entity.
                     60: </p>
                     61: <p>
                     62: It is vitally important to understand that copyrights are broad protections
                     63: as defined by national and international copyright law, not assertions of
                     64: the copyright holder as to what might or might be copyrighted, nor the
                     65: conditions for use imposed by the copyright holder.
                     66: </p>
                     67: <h3>Permissions - the flip side</h3>
                     68: </p>
                     69: Because copyrights arise from the creation of a work, rather than through
                     70: a registration process, there needs to be a practical way to allow uses
                     71: permission to use a work beyond that which might be allowed by "fair use"
                     72: provisions of the copyright laws.
                     73: </p>
                     74: This permission typically takes the form of a "release" or "license"
                     75: included in the work, which grants the additional uses beyond those
                     76: granted by copyright law, usually subject to a variety of conditions.
                     77: At one extreme sits "public domain" where the originator
                     78: asserts that he imposes no restrictions on any use of the material, at
                     79: the other highly restrictive releases that actually grant no additional
                     80: rights or impose restrictive, discriminatory or impractical conditions on
                     81: use of the work.
                     82: </p>
                     83: <p>
                     84: Again, the important points to note are that the release and conditions can
                     85: only apply to the portion of the work that was originated by the copyright
                     86: holder - the holder of a copyright on a derivative work can neither
                     87: grant additional permissions for the original work, nor impose more restrictive
                     88: conditions for that work.
                     89: </p>
                     90: <p>
                     91: When a party asserting copyright rights removes prior copyright notices
                     92: or releases from a work, or attempts to impose permissions or conditions
                     93: that are in conflict with the permissions or conditions imposed by the
                     94: originator of the work, these conditions are not binding on the original
                     95: work.  In fact, if their permissions or conditions are contrary to those
                     96: asserted by the copyright holder of the original work, that party is
                     97: probably setting up a situation where they no longer have permission to
                     98: use the work at all, let along impose conditions on its use.
                     99: </p>
                    100: <p>
                    101: Finally, releases are generally binding on the material that they
                    102: are distributed with.  This means that if the originator of a work distributes
                    103: that work with a release granting certain permissions, those permissions
                    104: apply as stated, without discrimination, to all persons legitimately
                    105: possessing a copy of the work.  That means that having granted a permission,
                    106: the copyright holder can not retroactively say that an individual or class
                    107: of individuals are no longer granted those permissions.  Likewise should
                    108: the copyright holder decide to "go commercial" he can not revoke permissions
                    109: already granted for the use of the work as distributed, though he may impose
                    110: more restrictive permissions in his future distributions of that work.
                    111: </p>
                    112: <h3>Specific Cases</h3>
                    113: <p>
                    114: This section attempts to summarize the position of OpenBSD relative to
                    115: some commonly encountered copyrights.
                    116: </p>
                    117: <dl>
                    118: <dt>Berkeley<dd><p>
                    119: The Berkeley copyright is the model for the OpenBSD copyright.  It retains
                    120: the rights of the copyright holder, while imposing minimal conditions on
                    121: the use of the copyrighted material.  Material with Berkeley copyrights,
                    122: or copyrights closely adhering to the Berkeley model can generally be included
                    123: in OpenBSD.
                    124: </p>
                    125: <dt>AT&amp;T<dd><p>
                    126: While AT&amp;T holds the copyrights to much "unix" code and documentation,
1.2     ! grr       127: OpenBSD is based largely on Berkeley (BSD) distributions that contain only
1.1       grr       128: material known to be free of AT&amp;T copyrights, or material to which
                    129: AT&amp;T has abandoned it's copyright or included licensing terms similar
                    130: to the Berkeley terms.  No material subject to restrictive AT&amp;T
                    131: copyrights can be included in OpenBSD.
                    132: </p>
                    133: <dt>DEC, Sun, other manufacturers/software houses.<dd><p>
                    134: In general OpenBSD does not include material copyrighted by manufacturers
                    135: or software houses.  Material may be included where the copyright owner has
                    136: granted general permission for reuse without conditions, with terms similar
                    137: to the Berkeley copyright, or where the material is the product of an
                    138: employee and the employer's copyright notice is effectively releases any
                    139: rights they might have to the work.
                    140: </p>
                    141: <dt>Carnegie-Mellon (CMU, Mach)<dd><p>
                    142: The Carnegie-Mellon copyright is similar to the Berkeley copyright, except
                    143: that it requests that derivative works be made available to Carnegie-Mellon.
                    144: Because this is only a request and not a condition, such material can still
                    145: be included in OpenBSD.  It should be noted that existing versions of Mach
                    146: are still subject to AT&amp;T copyrights, which prevents the general
                    147: distribution of Mach sources.
                    148: </p>
                    149: <dt>GNU General Public License, GPL, copyleft, etc.<dd><p>
                    150: The GNU Public License and licenses modeled on it impose the restriction
                    151: that source code must be distributed or made available for all works that
                    152: are derivatives of the GNU copyrighted code.  While this may be a noble
                    153: goal in terms of software sharing, it is a condition that is typically
                    154: unacceptable for commercial use of software.  As a consequence, software
                    155: bound by the GPL terms can not be included in the kernel or "runtime" of
                    156: of OpenBSD, though GPL tools may be included as development tools or as
                    157: part of the system at are "optional" and where there is no adequate substitute.
                    158: </p>
                    159: <dt>NetBSD<dd><p>
                    160: Much of OpenBSD is largely based on NetBSD, since some of the OpenBSD
                    161: developers were involved in the NetBSD project and the general NetBSD
                    162: license terms are compatible with the Berkeley license and permit such
                    163: use.  Since that time, individuals associated with the NetBSD project
1.2     ! grr       164: or the "NetBSD Foundation" have inserted stricter conditions in the
        !           165: copyrights of parts of the NetBSD software.  Regardless of the
        !           166: legality/propriety of these actions, material including such restrictive
        !           167: conditions or derived from that material subsequent to imposition of
        !           168: these restrictions can not be included in OpenBSD.
1.1       grr       169: </p>
                    170: <dt>FreeBSD<dd><p>
                    171: Most of FreeBSD is also based on Berkeley licensed material or include
1.2     ! grr       172: copyright notices based on the Berkeley model.  Such material can be
1.1       grr       173: included in OpenBSD, while parts that are subject to GPL or various
                    174: individual copyright terms can not be include in OpenBSD.
                    175: </p>
                    176: <dt>Linux<dd><p>
                    177: Most of Linux is subject to GPL style licensing terms and therefore
1.2     ! grr       178: can not be included in OpenBSD.  Individual components may be eligible,
1.1       grr       179: subject to the terms of the originator's copyright notices.  Note that
                    180: Linux "distributions" may also be subject additional copyright claims
                    181: of the distributing organization, either as a compilation or on material
                    182: included that's not part of the Linux core.
                    183: </p>
                    184: <dt>Shareware, Charityware, Freeware, etc.<dd><p>
                    185: Most "shareware" copyright notices impose conditions for redistribution,
                    186: use or visibility that are at conflict with the OpenBSD project goals.
                    187: Review on a case-by-case basis is required as to whether the wording
1.2     ! grr       188: of the conditions is acceptable in terms of conditions being requested vs.
1.1       grr       189: demanded and whether the spirit of the conditions is compatible with
1.2     ! grr       190: goals of the OpenBSD project.
1.1       grr       191: </p>
                    192: <dt>Public Domain<dd><p>
                    193: While material that is truly entered into the "Public Domain" can be
                    194: included in OpenBSD, review is required on a case by case basis.
                    195: Frequently "public domain" assertion is made by someone who does not
                    196: really hold all rights under Copyright law to grant that status, or
                    197: there are a variety of conditions imposed on use.   For a work to be
                    198: truly in the "Public Domain" all rights are abandoned and it is offered
                    199: without restrictions.
                    200: </dl>
                    201:
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